Claudette Johnson MBE

1959

Manchester, England

Johnson’s work has featured in important group exhibitions such as Five Black Women at London’s Africa Centre Gallery in 1983, Black Woman Time Now at Battersea Arts Centre in the same year, and The Thin Black Line at the ICA in London in 1986. In a review of her 1992 solo exhibition In This Skin: Drawings by Claudette Johnson, at the Black Art Gallery, London, artist Steve McQueen (at the time a student at Goldsmiths College) wrote “What she does is to bring out the soul, sensuality, dignity, and spirituality of the Black woman….Claudette Johnson’s work is rooted in her African heritage. Her talent is as powerful as it is obvious.”
Lubaina Himid describes Johnson’s work as `deeply sensuous’ and `richly coloured’. The artist calls the Black women in her drawings `monoliths, larger than life versions of women’. Eddie Chambers notes: “These portraits were imposing pieces that demanded the viewer’s attention, as well as their respect.”
In 2011 Johnson cofounded the BLK Arts Research Group with Marlene Smith and Keith Piper, to re-examine the BLK Arts Group’s body of work and historical legacy. In 2012 two major projects were staged by this research group: a symposium with a retrospective exhibition entitled The Blk Art Group was held at the Graves Gallery, Sheffield, and an international conference entitled Reframing the Moment was held at the University of Wolverhampton. Her work was included in the Guildhall Art Gallery exhibition No Colour Bar: Black British Art in Action 1960–1990 (10 July 2015 – 24 January 2016).

Claudette Johnson was born in Manchester, UK. She studied Fine Art at Wolverhampton Polytechnic. While still a student there, she became a founder member of the BLK Art Group and took part in their second show at the Africa Centre, London, in 1983. Her talk and seminar at the First National Black Arts Conference in 1982 is recognised as a formative moment in the Black feminist art movement in the UK.

Johnson had a solo exhibition at Hollybush Gardens, London (17 November 2017 – 22 December 2017), where a series of seven of her large-scale works on paper was presented, about which Frieze magazine said: “As a body of work, it possesses a profound and tender intimacy.”
In 2019, her first major institutional exhibition since 1990 was held at Modern Art Oxford, the show being described as “an overview of one of the most accomplished figurative artists working in Britain today….her art sets out to redress negative portrayals of black men and women and to counter the invisibility of Black people in cultural spheres and beyond.” The reviewer for Art Fund wrote “Intimate, powerful and sometimes deliberately uncomfortable, Claudette Johnson’s studies of Black men and women demand attention and command respect.” According to Apollo magazine “While Johnson asserts that Blackness is a fiction created by colonialism, she insists that this fiction ‘can be interrupted by an encounter with the stories that we have to tell about ourselves’. Johnson’s subjects, by turns defiant and wary, funny and challenging, represent the varieties of stories that can be told by, in the artist’s words, ‘Black woman presence.’ As Johnson says, ‘I’m interested in our humanity, our feelings and our politics.’ Her art encapsulates all this in the tenderness and wilfullness of the individual human form.”
Johnson’s work is in the collections of the Tate London, Rugby Art Gallery, Arts Council England, Mappin Art Gallery, Manchester Art Gallery and Wolverhampton Art Gallery.
Johnson was appointed Member of the Order of the British Empire (MBE) in the 2022 New Year Honours for services to art.

https://www.coventrybiennial.com/artist/claudette-johnson/

https://www.tate.org.uk/art/artists/claudette-johnson-15861

https://www.frieze.com/article/claudette-johnson

https://en.wikipedia.org/wiki/Claudette_Johnson